A Brief History of Louis XIV
There are several movies, TV shows and novels based on Louis XIV. The universe 39 Clues presents several representations of Louis XIV. Rick Riordans' essays from the Apollo series also mention this. Vonda N. McIntyre's novel 1997 depicts the rise of Louis XIV. Roberto Rossellinis' film depicts his life and his rise to power. The Man in the Iron Mask, directed by Randall Wallace, focuses on the mystery of the prisoners' identities.
Portraits of Louis XIV
Rigaud's portrait of Louis XIV shows him at his peak of power. This painting depicts the French king, who was 63 years old, surrounded by the ceremonial objects of his reign. It evokes a sense of absolute power and splendor. His formality, however, conveys an air of gentleman and authority. Students may even confuse the portrait with a portrait of Napoleon, a rival to kings.
The study of the portraits of Louis XIV focused on the political and mythical aspects. It is interesting to note the historical progression of portraits. The portrait of the face of kings has often changed, as well as his body, for different purposes. The faces of kings have sometimes been altered for propaganda or for other reasons, such as changing sex or race. A comparison of the types of portraits helps us to understand the process of representation.
One of the most beautiful and popular portraits of Louis XIV is by the French painter Hyacinthe Rigaud. It depicts the king surrounded by draped textiles and wearing a fleur-de-lys coat. It was so popular that many copies were made. In addition to the original portrait, Rigaud painted many copies of Louis XIV. The haughty face of kings and the elegant position are complemented by a detailed description of the royal garments.
Rigaud's portrait proclaims the absolute power of the Kings, but it also suggests the kings' passion for dance. Louis XIV participated in ballets from an early age, and his sketch of Henry Gissey shows him dressed as Apollo at the Ballet of the Night (1653) at the age of 14.
The portrait of Hyacinthe Rigaud is a fine example of a power of the first kings. This portrait of the king in the coronation dresses of the artist Hyacinthe Rigaud shows the king as the embodiment of royal power and absolute monarchy. After the death of his chief minister, Mazarin, Louis XIV announced that he would govern himself. His announcement also marked the beginning of an era of absolute monarchy. The portrait also shows the kings' signature red heels and a prominent sword.
Portraits of his mistresses
King Louis XIV had many mistresses during his lifetime. Some of them were MAITRESS-EN-TIRRES, PETITE MONSTRESSE OR LIARISONS, and some were one-night stands that slipped into the radar of courtiers. The portraits of the mistresses include information about the approximate number of years each couple was together, that the relationships produce children and all the notes that the courtiers took on their partners. However, with the intervention of the Church and the presence of the mistresses in the courtyard, Louis XIV became less interested in one-night stands.
One of the most famous portraits depicting a mistress of Louis XIV is by Pierre Mignard. It is one of the oldest portraits of the king and is one of the most recognizable paintings in the Louvre. It represents Françoise Daubigne (1635-1719), the Marquise du Maintenon and the Sun King (centre). The portrait was a huge success at the Salon of 1704 and remained in the royal collections until the French Revolution when it was donated to the Central Museum of Arts of the Republic.
Marie-Angelique was one of the mistresses of Louis XIV. She came to court in 1679 and immediately caught the attention of kings. She began their romance with matching ribbons, and the king was so impressed with her that he even wore matching ribbons en masse in front of her and the queen. This sparked outrage in Madame de Montespan, who thought she had become the kings' mistress.
In another biography of the king, Josephine Wilkinson tells the story of Louis XIV's personal life, from the intrigue of the court to a mistress who immersed herself in the dark arts. Allust for Virtue describes how Louis XIV attacked sin in the seventeenth century France and desire for manhood, and how Louiss' rule ultimately impacted the lives of millions.
Kings' mistresses were no less powerful than the monarch himself. HACINTHE Rigauds Portrait of the King depicts the absolute monarch wearing the coronation robe and the royal fleur-de-lis. This portrait also displays the key elements of the Baroque style: a red cravat, red heels and a prominent sword.
Portraits of his ministers
Louis XIV centralized his government by forming a royal council of three or four members. These officials were known as ministers, although they do not hold any official ministerial title. The prime minister of the France was Nicolas Fouquet, who was disgraced within a year, and was replaced by Jean-Baptiste Colbert. These ministers were seen as the backbone of the French government, governing the nation and the country.
The portraits of the French king testify to the majesty and power of the monarchy. The portraits of Rigauds of Louis XIV were painted to glorify the monarchy and to express the absolute authority of kings. His dresses are embroidered with Royal Fleur de Lys, and he wears his red heels. He also wears a royal sword and crown, all of which have emphasized his absolute power.
In 1685, the Edict of Nantes was annulled, allowing Louis to claim success. The monarchy had not completely eliminated Protestantism from its kingdom, but the Protestants remained in power. In 1685, Louis XIV declared victory in the war against the Turks, and Leopold, I failed to eliminate Protestantism. As a result, this monarchy was no longer vulnerable to invasion and imposed a religious hierarchy that spanned a century.
After Mazarin's death, Louis XIV had no chief minister, so the image of omniscience was cultivated. He saw himself as a direct representative of God and had cultivated the image of an omniscient sun king. Despite the absence of a chief minister, Louis XIV maintained a strict etiquette in court.
As a man who understood the power of an image, Louis XIV put a lot of effort into the visual arts. He commissioned artists to accompany him on his campaign and to win his victories. He also commissioned statues in his name for public squares in Paris and provincial cities. In addition, he erected the first self-supporting triumphal arches, which have not been seen since the fall of the Roman Empire. In addition, Louis XIV's minister encouraged the emergence of many great talents, including Molière, Charles Le Brun and Jean-Baptiste Lully. These artists were surrounded by the greatest intellectuals of the time.
His foreign policy
Under Louis XIV, the France became one of the main powers in Europe. Its military could allow it to obtain better conditions with other European states. No European state had a larger population, wealth or central location. Nevertheless, despite this, the France avoided the Thirty Years' War. Although he was financially weakened, Louis saw war as a way to increase fame. The result has been a long series of military conflicts.
Louis XIVS Early foreign policy has a vainge image, but it is not an entirely negative characteristic. In fact, his war of devolution was necessary to assert Frances' presence on the European scene. This war reflects the values and priorities of his time. Glory was not synonymous with vanity, and it was a legitimate diplomatic and political tool for any European monarch. The war of devolution showed the importance of a national identity.
After the Edict of Nantes, Louis XIV engaged his country in the Franco-Dutch War (1672-1678). The French gained dominion over other nations, but it was not without its costs. Meanwhile, the France increased its territory and claimed more territory. However, many other European nations have been horrified by the treatment of their fellow religions. As a result, many of these nations formed the Grand Alliance. Louis XIV's foreign policy had disastrous consequences for his country.
A key aspect of Louis XIV's foreign policy was his use of the maxims of state doctrine. Louis XIV dispensed with military force and instead combined it with legal pretexts. His foreign policy was also based on treaties, and he established the reunion chambers to determine the full extent of the country's rights under them. This doctrine influenced his decisions and actions.
Who was Louis XIV?
Who was Louis XIV? - The French king was also known as Louis the Great King of the Sun, or the Sun. He was the longest reigning monarch in history, ruling for 72 years and 110 days. In this article, will learn about the wives and children of Louis XIV. Here are some of Louis XIV's favorite books and music. You can also check out his biography to learn more about his life.
Henri Deffiat
Henri Deffi reached the Kings Wits for the needs of his new subjects. He possessed a unique way of mixing politics and literature, and his writing style was reminiscent of the classical classics. However, he was also known for his extreme temperament and love for women. He was also bisexual and he had several favorites. His birth was announced as miraculous. This resulted in the name of Dieudonne.
During his reign, Louis XIV was known as Le Grand Siecle. He was the absolute monarch of the France, taught by Cardinal Mazarin and his love of the arts. Louis XIV moved his court to the Palace of Versailles in 1682, which embodied his reign and power. The palace, at its peak, was considered the symbol of European power.
Henri Deffiaats' career was marked by his personal and professional relations with the king. He was the Secretary of State of the King's House under three French kings and was considered a friend of Louis XIII. The cardinal urged him to enter the council and he was appointed ambassador extraordinary to England. His duties included negotiating the marriage of the Prince of Wales to Henrietta Maria de France.
His friendship with Marie Antoinette was troubled by his quarrel with the Baron de Saint-Leger. However, he was released from prison after the assassination of Baron de Saint-Legers and was the Kings Bodyguard until Richelieu's death. Despite their clashes, he and Louis XIV were reconciled after the death of the latter.
Henri's Lava
Henri de la Valliere was a close friend of the royal family. In 1661, he named her as a woman waiting to Henriette Dangleterre, wife of Louis, Duke Dorleans. This time spent with Henriette Dangleterre was controversial and court gossip was at its peak. In response, the royal advisers encouraged King Louis XIV to pursue a romantic relationship with La Valliere.
The letters written between La Valliere and the Marechal de Bellefonds have suffered a history of entangled publication. The first edition of La Vallierres' correspondence was corrupted and his alleged memoirs were a fabrication. After years of unreliable reprints, Petifils' scholarly biography includes a critical edition of La Vallierres' reflection on God's mercy.
Henri de la Valrieres Sudden conversion to religious life embarrassed Louis XIV, who had publicly acknowledged the sexual immorality and religious hypocrisy of Versailles. Following the scandal, La Vallierres' vocation as a nun began to take shape. In 1674 she entered a Carmelite convent in Paris. At that time, Bishop Jean-Louis de Fromentiere denounced the immorality of Versailles and compared its entry to a moral miracle.
La Vallieres' letters to Louis XIV are full of romance and passion. The kings' secretary, Dangeau, ghost sales letters between the two lovers, who helped Louis XIV become a romantic mistress. The king also legitimized the two surviving children, Mademoiselle de Blois and Comte de Vermandois. The correspondence between the two men is quite long, but the love story is the most important part of the story.
Françoise-athaïne de Rochechouart
Louis XIV was born in 1638 to a wealthy family and was the youngest son of the first wife of the emperors. His mother, Anne of Austria, had married him ten years earlier. She was pious, joyful, charitable and musical. She also helped her husband win a second coronation. Despite her high position and power, she was not as popular as Louis XIV.
The Marquise de Montespan, born in 1641, became the mistress of King Louis XIV. She gave birth to her sixth child at the Château de Maintenon in 1677. In 1691 she retired to Paris, where she put a devout life until her death at Bourbon-Larchambault in 1707.
Despite being the official mistress of the Sun King, Athenians were often seen teasing and amusing the emperor. During one of his visits to Versailles, a man in uniform stood pierced. He couldn't move and looked at Athaïnais. After a while, the mysterious man returned as a guard and began to tease Louis.
A woman who had the chance to attend a convent, she then joined the French royal court as Fille Dhonneur, serving her sister Madame. She was beautiful, with perfect wrists, a perfect figure and long blonde hair. In addition to her breathtaking looks, she was also very pious and cautious. In the end, Louis XIV married Françoise-Athaïne de Rochechouart in 1706 and she remained his mistress for the next century.
Montespan had a relationship with two other women who were not in the same class. It was a complicated time for the king, and his relationship with his wife was in danger. Eventually, Montespan was arrested and exiled to his family's land in Guinea. He was allowed to return to the army after three weeks in prison. But after that, he abducted a local girl and started a rebellion against the king and the church.
Marie-Angelique de Scoraille
Queen Marie-Angelique de Scoraille was the daughter of a wealthy merchant. When she was young, she was considered an exceptional beauty. As a result, his family pooled their resources to send him to court. They had his most exquisite wardrobe adapted. In fact, she was named demoiselle de l'on of the Duchess of Orleans. During her brief stay at Versailles, she had the opportunity to visit several palaces, including Fontainebleau, Saint-Germain and Versailles.
However, Marie-Angeliques childish behaviors and lack of intellectual capacity annoyed Louis XIV. Although the king was aware of this, he longed for the witty jokes of Madame de Montespan. He didn't realize that his gift meant goodbye. Eventually, the king gave in to the Duchess's insecurities and made his Duchess on April 6, 1680. He was given £80,000 as a pension.
However, his fall came shortly after the birth of the child. She was very young and gave birth prematurely. The child died and Louis had become tired of her. However, he rewarded her with a large pension and the title of Duchess of Fontanges. The Duchess' title was considered a sign of favor and the grandiose departure gift.
A young girl of her own, Marie-Angelique de Scoraille, had an eye for the king and her groin. His current mistress, Mademoiselle de Fontanges, pointed Louis XIV at Mademoiselle de Fontanges. A young Marie-Angelique caught La Montespan's attention and pushed her in the direction of the king. Although she had no chance of capturing the king, her beauty caught the attention of kings. Her parents considered her a good distraction from her cousin, Mademoiselle de Maintenon.
Louis XIV furniture - Notable features of Louis XIV furniture
If you've ever been in a room with Louis XIV furniture, you probably know it was massive and covered in gilded bronze sculpture and ornament. While it may seem daunting to take a look at these pieces, once you realize how fragrantly covered they were, they will make you want to savor all the details. Not only that, but the rooms were also incredibly comfortable. This article will discuss some of the most notable features of Louis XIV's furniture.
Louis XIV's furniture was massive and sumptuous covered with gilded bronze sculpture and ornament
The Louis XIV period brought dramatic changes to the furniture industry. Massive furniture topped with sculpture was the norm, as was the use of expensive materials. Only the rich could afford the best craftsmanship, so case products featured elaborate patterns. Many of these rooms were decorated in gilded bronze. These rooms were decorated with motifs that evoked mythological creatures, such as dragons and dolphins.
Louis XIV's furniture was rigid, straight and built with dark woods to capture this solemnity.
During the reign of Louis XIV, the Royal Court was moved to the Palace of Versaille, where the furniture was redesigned for practice and decoration. Side tables and central tables were now important furniture for both purposes and decoration. The chief minister of France at the time, Cardinal Mazarin, brought Italian artists to France to influence the styles of the time. The Mazarin Desk had two or three rows of drawers and eight crosses to support its weight. The space next to the knee served as additional storage and could be locked for safety.
Louis XIV's furniture was cut immediately and almost shamefully with gilded bronze ornamentation
The ostentation of the Louis XIV period was legendary, and his great-grandson was known to escape from prison and spend large sums for the apartments of Versailles. Although the room was cold and isolated, he ordered a suite on the second floor in the Palace of Versailles above the marble courtyard, where he lived with the comfort of his own kings and no courtiers.
Louis XIV furniture was softer, softer and more comfortable
In the middle of the seventeenth century, the design of French furniture began to change considerably. The bourbon kings were long gone, and the France was governed by an administrator's government. The directorate, or directory, was an interim government. The period lasted fifteen years. This change is reflected in the styles of the time. Designers and owners favored this style for traditional homes, as it is still popular today.
Style Louis XIV
There is no doubt that Louis XIV's furniture was incredibly luxurious. The pieces were massive, covered with ornament and sculpture, and often in gilded bronze. But what made them so special? And why would the French king choose them for their homes? Here are some fascinating facts about this period of French history. Allows you to explore them in more detail. And don't worry if you're not an art historian, you're helping to better understand their purpose.
Louis XIV chairs
The flamboyant style of the Louis XIV era is well suited to majestic houses. It is characterized by bulging curves and extravagant decoration. These styles have evolved over time, becoming finer and more detailed. In addition to its classic form, this era saw many innovations. Here are some key features of Louis XIV chair styles. You may not realize it, but this furniture has incredible value for your home.
The gilded wooden mirror Louis XIV
This classic Louis XIV mirror features carved acanthus leaf patterns in its frame, often it is a large baroque mirror of 180 cm. It is hand-carved in Italy and finished with an antique gold finish with burnished reflections. Originally used in the throne room of the palace of Louis XIVS Versailles, this mirror has a Berainsque appearance. The mirror is surmounted by a magnificent high-relief war trophy. On either side of the crown are floral designs. The mirror also features large feathers protruding from a feathered military helmet. A double eagle head and crossed quivers add to the beauty of this mirror.
French mirrors do not have decorative glass elements. The carved leaves, in fact, indicate that the Venetian glassmakers did not transfer their expertise to France. This explains why it was rare to find a mirror in Europe at the time. In fact, Dr. Foyle claims that French popularity reflects popularity across Europe as a whole. This is probably the reason why the Venetian mirror was so expensive.