Louis XV and Empire style armchairs are not mere seats. These are richly decorated antique furniture, made in quality tapestries in various colors. Besides the trampling, the seat, the backrest, the padding, they are equipped with armrests for more comfort. The style seats allow the ladies of the court to sit while spreading their dress.
Louis XV style armchairs are recognizable by their curved legs whose ends of the feet are rolled up. The armrests are remote to allow ladies to sit comfortably despite their large toilet. The cross bars of the seats are made of foliage sculpture, foliage and flowers to sign the Baroque style of the time. The Queen chair or upholstered seat is characterized by a flat back. The violin-shaped convertible armchair has an arched back and a tread rolled into a dice or snail. The shepherdess has an enveloping shape, because the backrest and the armrests join the seat. The marquise is a furniture Louis XV wide that can accommodate two people. The Louis XV sofas are actually a juxtaposition of three or four armchairs with a continuous back and openwork arms.
Sofas, armchairs to the Queen, the convertible , shepherd do not escape theneoclassical style. The Baroque style gives way to a rectilinear geometry that gives a serious look to the Louis XVI armchairs. Finished the winding, the feet of the frame are straight. The upholstery has pride of place at the seat, backrest and armrests. Louis XVI backs and seats are recognizable by their geometric oval, square or trapezoidal shape. The Rococo and Baroque sculptures disappear in favor of a finer sculpture. The armchair Marie-Antoinette Marie-Antoinette, wife of Louis XVI, marks the reign of it, the collection is recognizable by its slightly curved back and lack of ears.
The Empire style corresponds to the reign of Napoleon I and should not be confused with the style of Napoleon III. The Empire armchairs are more massive, imposing, in mahogany wood, lacquered or gilded for the royal furniture repositories. The moldings give way to sculptures on the models of seats of empire sofas, shepherdesses, chairs. Gooseneck chairs , lion head, dolphins stand out depending on the end of the armrest. The front trampling ends on claws, hooves, a profile in Jacob, the rear trampling is distinguished by a saber structure. Folders are flat, inverted or rectangular. Under Napoleon III, the frames are in black woodi in a gondola or cabriolet or toad shape.
Louis XV and Empire style armchairs are not mere seats. These are richly decorated antique furniture, made in quality tapestries in various colors. Besides the trampling, the seat, the backrest, the padding, they are equipped with armrests for more comfort. The style seats allow the ladies of the court to sit while spreading their dress.
Louis XV style armchairs are recognizable by their curved legs whose ends of the feet are rolled up. The armrests are remote to allow ladies to sit comfortably despite their large toilet. The cross bars of the seats are made of foliage sculpture, foliage and flowers to sign the Baroque style of the time. The Queen chair or upholstered seat is characterized by a flat back. The violin-shaped convertible armchair has an arched back and a tread rolled into a dice or snail. The shepherdess has an enveloping shape, because the backrest and the armrests join the seat. The marquise is a furniture Louis XV wide that can accommodate two people. The Louis XV sofas are actually a juxtaposition of three or four armchairs with a continuous back and openwork arms.
Sofas, armchairs to the Queen, the convertible , shepherd do not escape theneoclassical style. The Baroque style gives way to a rectilinear geometry that gives a serious look to the Louis XVI armchairs. Finished the winding, the feet of the frame are straight. The upholstery has pride of place at the seat, backrest and armrests. Louis XVI backs and seats are recognizable by their geometric oval, square or trapezoidal shape. The Rococo and Baroque sculptures disappear in favor of a finer sculpture. The armchair Marie-Antoinette Marie-Antoinette, wife of Louis XVI, marks the reign of it, the collection is recognizable by its slightly curved back and lack of ears.
The Empire style corresponds to the reign of Napoleon I and should not be confused with the style of Napoleon III. The Empire armchairs are more massive, imposing, in mahogany wood, lacquered or gilded for the royal furniture repositories. The moldings give way to sculptures on the models of seats of empire sofas, shepherdesses, chairs. Gooseneck chairs , lion head, dolphins stand out depending on the end of the armrest. The front trampling ends on claws, hooves, a profile in Jacob, the rear trampling is distinguished by a saber structure. Folders are flat, inverted or rectangular. Under Napoleon III, the frames are in black woodi in a gondola or cabriolet or toad shape.
LessInspired by ancestral know-how, the Louis XVI black velvet armchair is composed of a solid beech frame with fine sculptures, luxurious and authentic decorative furniture.
The Louis XVI armchair in solid gilded beech is upholstered with a nice red velvet fabric.
This Louis XV armchair in solid beech is upholstered by a fabric decorated with flowers.
Louis XV style armchair with a black velvet fabric and a gilt wood frame.
Armchair Empire style with a beech wood structure inlaid with amboine magnifying glass and black lacquered wood.
This armchair Louis XV white and silver rococo style solid beech is timeless furniture covered by a white PVC fabric.
The red and gold baroque Louis XV armchair has a solid beech frame adorned with fine hand-carved sculptures.
This Louis XV black velvet armchair with a solid beech structure is a luxury furniture with a reputation that has never been overtaken by time.
Armchair Louis XV style white lacquered beech wood and upholstered with satin fabric.
The Louis XV armchair rose and silver wood is a romantic and luxurious seat for the decoration of your living room.
Chair lined with a white and black striped coating.
The Louis XV Amadeus armchair in solid oak with an elegant linen fabric combines both originality and aesthetics.
This Louis XV solid oak armchair is a luxurious seat wrapping, offering real comfort in addition to being elegant.
The armchair Louis XVI Paris solid wood is ceruse with a patina with an antique effect for a refined decor, with a very comfortable seat and backrest.
The black Louis XV armchair with flowers is made of solid beech is decorated with fine sculptures, covered by an elegant rococo fabric with comfortable seat and back.
The Louis XV armchair in solid gilded beech with a red satin fabric is a comfortable seat, bringing as much elegance into your interior.
The Louis XVI blue armchair in solid wood is made on a solid beech frame with a clear lacquer to preserve the beauty of the wood.
the armchair Louis XV Green in solid beech wood gilded, is an old style seat but comfortable for your living room.
The burgundy gilded wooden convertible is lined with velvet fabric on a solid beech frame decorated with fine sculptures.